continuing adventures in architecture

February 6, 2010 at 9:45 am | In writing | 17 Comments
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The problem with developing an interest in architecture is that people see you in the street motionless gawping in awe at some old building. There are three beautiful churches in my neighbourhood and the architecture of each reflects subtle differences in the mode of worship, the relationship between the worshipers and their God.

Originally, the only architecture I knew anything about was the architecture of water and trees but neither of these are environments created for human habitation. Nevertheless, I think living in a house made of water and trees would be very pleasant. Perhaps I have read too much Percy Shelley but I began my adventure unsure why God would want us to build monuments to her in stone.

Eventually I gathered courage sufficient to venture into one of those awe-inspiring buildings. There I experienced beauty carefully contained, highlighted and protected, light fracturing through stained glass windows, arches leaping skyward as though supporting heaven, and of course, the actual church, the people.

I do not think it will ever become my preferred method of worship. Like the Romantic poets before me, I am more comfortable in solitude and nature.  Everyone must discover beauty their own way and hope fully assist each other to do so. The feeling I would suggest you reach for, the way of thinking that seems most like worship to me, is gratitude. And when I experience the architecture of those churches, that is indeed what I feel.

some sing in shades

February 1, 2010 at 7:01 pm | In australian poetry, contemporary poetry, links, poetry | Leave a Comment
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I am reading The Best Australian Poems (ed. Robert Adamson). I am always behind in my reading, so I tend to pick up books as I pass by. Today the book fell open on a incredibly beautiful poem by Peter Minter called, “The Latter Shall Prevail”.

A poem like this is a fabulous surprise and I don’t want to give away any secrets. It is one of those works of art which should be allowed to unfold unfettered in the reader’s mind. A kind of gift from the poet to the reader.

It sings and the pitch with which it sings is perfectly matched to the colours it describes which reflect an emotional tone. It has a kind of musical narrative below the words which are carried on a rhythm that they never quite define. It has a great respect for form without being constrained by it. The poem seems to sit so comfortably within itself. It does not attempt to be something it is not.

And I hesitate to say, it would survive translation into many languages. If you want to experience Australian poetry as it is being written by our finest poets (or just buy it for this one gorgeous Peter Minter poem…

Buy the book.

simple adding and subtracting

January 28, 2010 at 6:22 pm | In australian poetry, poetry, sheer selfindulgence, writing | 8 Comments
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last year i took away a word ‘gravity’
.I’m not so sure that was a good idea
now. I think I will add a few like ‘eucalypt’.
It looks like an anagram which as a tanka began,

(I like the way in this version ‘.I’m’ sits directly above ‘now.’ which makes a small poem inside the larger poem. A tanka officially has a structure. The number of syllabubbles in each line is supposed to be, 5, 7, 5, 7, 7. Although it should be noted that the difference in the basic structure of Japanese and English raises the question of whether these syllable restrictions have much meaning. There are some who suggest the idea or the mood of forms like tanka and haiku are more important than syllable counting. Anyway, that is a long discussion, it has been going on for as long as I have been around. Here is the original poem, changed a little to fit a formal tanka structure. It is interesting to me that the central line is like a version of the tiny poem contained in the first version.)

Last year took away
a word ‘gravity’ not so
sure that was a good

idea now i think i

will add a few like eu ca
lypt looks like an anagram
which as a tanka began

Australia Day 2010

January 26, 2010 at 8:39 am | In australian poetry | 20 Comments
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Soon I will have to extend my walking
into running,

Today observed a citizenship ceremony
which made me smile.
The hibiscus are in bloom and worn with pride
and children dancing with impatience.

There was a cruise ship in the docks,
sparkling white fresh from the pacific.

The river is plumptious.

I am happy.

Getting behind the bid.

January 19, 2010 at 7:39 am | In australia, blogging, football, sheer selfindulgence, writing | 12 Comments
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At some point you have to pick a true allegiance to something, and often it is already a lost cause. In the end though, you are not dead, you are sitting around on a beach watching children led by their mothers into the sea for the first time and thinking cool, The World Cup in Australia would be a nice thing,

I might write another football poem, should be a breeze,

(If I win these tickets, I will give them to someone, hmmm,

Protected: upstairs the naked ladies dance

January 4, 2010 at 7:56 pm | In poetry, writing | Enter your password to view comments
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The Year Of Doing (even more) Things.

December 28, 2009 at 8:15 am | In performance, writing | 27 Comments
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(it is raining gently

literally whispering

we create ourselves)

Lurking behind many of my verbal ramblings is the idea that the only resource of much value to humans is experience, both individual and collective. And in that spirit I dub this the year of getting up off your arse, Squires and jumping up and down.

That is to say, I must start performing the poetry live. As most of you know, this is something I dread and it would be so much easier if Maxine Clarke, Australia’s finest performance poet was standing beside me with a sharp object threatening to transform it from a thought into a shiny metal object poking me in the ribs saying, “Squires, if you don’t get out there right now…

It would be easier if I could sidle up to Graham Nunn and say, “Graham, I’m gonna make very few live appearances in my life-time, lets charge them a fiver for half an hour. Then we could reinvest the surplus in the Buckmonster Filler Program we stole, I mean the old shuffleroo, Sir Marcus Westbury, what a gent.”

But, as usual, I am getting way ahead of myself. I must choose the first piece for the performance, then I was thinking of group sourcing the rest, that is to say, taking requests,

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