Unliking the hippos
October 30, 2009 at 6:42 pm | Posted in poetry, writing | 19 CommentsTags: poetry, writing
The trees were aggregations of uncertain light, shade and air transpired from leaves to drift across the plains, congregations, and composed has three meanings. Beneath this tree I am composed.
I do not like the hippos, she says, peeling a mandarin. They are as though the earth spites itself. If you were wise as this fruit you would reshape the world and remove these unnecessary prepositions and conjunctions.
The natives, those not in exile in other words, are unbuilding the church. The walls are neatly stacked timber, the space once framed by windows has escaped into the sky. Occasionally they look over at us and laugh.
I am tired. If wishes were kisses she says taking my hand and indian cowboys rode tigers at night. In the evening the plane will appear on the horizon and then it will be said that all airs once composed have now transpired.
Outside, it is raining.
October 28, 2009 at 6:56 pm | Posted in writing | 20 CommentsTags: writing
Let’s not pretend. It is late afternoon and the activity in which I am engaged is typing. Which is preceded by thinking. Which makes for boring prose. When there is no time lag between the thinking and the typing, that activity I call writing. People are always telling me to write straightforwardly about my life. I can’t imagine what could be less interesting, even if I had a more interesting life.
I am sitting in an office on my own. Outside the office window it is grey and raining. Beside the keyboard a cup of tea is cooling. I wish it was early morning and I was lying next to someone warm and soft and completely relaxed and breathing and smiling in her sleep. To restrain myself from waking her by allowing my fingertips to marvel at the aliveness of her skin I would have to get out of bed.
This may be the longest piece I have ever written. It’s not that I have a short attention span, just that I see part of the skill of writing as condensation, the ability to say more using less words. Precision is the mark of an artisan in any field. The kiss would be placed at the exact point where her shoulder meets her neck, where the skin softens and pales and disappears beneath the cascade of her curls while the tips of my fingers traced the inside of her thigh.
I remember being less alive than I am now. In fact, the act of writing makes me feel very alive, makes me feel as if I am engaged in an activity with meaning. Nothing has meaning without context, including humans. Meaning is fluid, it is found in the relationship between things. When I am writing there is always someone reading, the words are not here, they are between us, connecting us and I would stand at the window staring at the rain, sipping tea and trying my best not to climb back into bed and be entranced by the rise and fall of her breathing.
the sky is suddenly monet
October 26, 2009 at 6:46 pm | Posted in poetry, writing | 27 CommentsTags: poetry, writing
begins beneath the solar plexus
wherein the sun is lurking
ripples building outward tumbling then
like joyous sky flower bouquets bursting
bouncing out and over Rageous dancing
envibratising atmosphere
setting dual merriments
to impossible imbobblements
a jigglement
a bubblement
of gigglings intoxicant
this fantastical array my dear
has turned the sky monet
An Appeal to Reverse Fate
October 21, 2009 at 6:40 pm | Posted in blogging, writing | 17 CommentsTags: australian literature, blogging, huehuecoyotl
The dog is dogged in chasing pigeons, his three-legged ziggedy zag a Sack Posset perfection of tongue-waggling slobberised smiling. When I was a youngster the jacaranda’s purple bruise signalled the arrival of November, exam time and a momentary sobriety. Now, because of all the boojwah cattle cars farting fumes they have bloomed and it is just October.
So here am I, in the park, with pepperment tea and a notebook, this one here where these words are, scrawling a strange sensation, like a singularity in my centre with the dog an electron planet wildly rotating sending silly birds whirring. I want to give the pigeons names but my sense of humour is so strangely inward, exclusive to various recluses, I would most probably get sued.
I must start submitting actual poems to magazines again instead of parodies in assumed names. I mean, I must stop pretending that I have submitted parodies to every Australian Literary journal (a hoax hoax) and start actually attempting to contribute to our (ahem) vibrant and honourable literary culture again. First of all though, I must brush these crushed purple blooms from my stolen heffalump pyjamas, gather that mad beast in and see if I can persuade Huehuecoyotl to remain still enough to sketch.
the transgressive experimental
October 19, 2009 at 6:37 pm | Posted in poetry, writing | 17 CommentsTags: experiential poetry, poem, sonnet, writing
softly scented whispers drifting words
like fingertips poem this, or lace perhaps
invites a shy transgression overlaps hibiscus
songs interpolate a minor wrong in triplicate
quick slipped a silent underpass
slyness through a poem blissed
an unlit bloom in midnight room,
caressed in subtle duplicate tightly
there just under where a softly scented
whisper lingers in a repetitious tit for tat
where once a linguist army gathered
apples under umber skies
remains without remorse a kiss,
a kiss, a kiss of course
a strange congregation (reformation)
October 15, 2009 at 6:52 pm | Posted in poetry, writing | 19 CommentsTags: poetry, writing
Right on time, he says, gently placing his martini on the piano. We were starting to worry about you. Let me have a look.
The pianoplayer is naked, laying face down on the beach. He has a new tattoo that stretches right across his shoulders. It says, “Need and power are in inverse proportion.”
It is low tide and soldier crabs crunch under Mamu’s feet as he approaches. He is smiling.
Excellent, he says, adjusting the brim of his fedora. She will enjoy that one. Drop him in the corner, Mamu, and brush some of that soil from him before she arrives.
————————————————————————————
right on time gently
placing his martini on the piano.
anxious observing
naked face down seagulled
new tattoo winged
“Need and power
are in inverse proportion”
low tide, soldier crabs crunch
under Mamu’s steps approaching
He is smiling.
Excellent, his crown adjusted.
Drop him in the corner, Mamu,
brush that soil from him
she arrives.
Among my peers
October 12, 2009 at 7:01 pm | Posted in poetry, writing | 9 CommentsTags: etymology, Exu, insult, poetry, writing
Before you insult me yet again with red hot prods, please allow myself to explain.
Take one moment to see my work he said breathing dirt
and holding out an open hand tis true one develops
a heart of stone when one sleeps rarely
and only in certain uncouth company, yesterday
a gilded cage
then under bridges
fallen
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